The Historical Construction and Cultural Function of Chinese Aesthetics
This book is oriented by the sense of problem, and follows three clues to examine the historical construction and cultural function of Chinese aesthetic thought from a long period of time: First, it reveals the original meaning, generative context, and social mechanism of poetic thought, and examines how it gradually evolved from a "private discourse" to a "grand narrative" in the discourse of the right of the state's aesthetic ideology, revealing its potential subversiveness.The study explores how it gradually evolved from a "private discourse" to a "grand narrative" in the national aesthetic ideology and rights discourse, revealing its potential subversive nature.It explores Zhuangzi's aesthetic search for the aesthetic realm of freedom and seclusion in accordance with the principle of freedom, and the process by which these two aspects became the spiritual basis of the scholarly community in the Song Dynasty, as well as their functions and significance.Through the absorption and fusion of Zhuang Xuan's ideas into Zhi Tan's Buddhist aesthetics, the assimilation and innovation of Hui-Yuan's Buddhist aesthetics into foreign ideas and local resources, and the difference between the Tang Dynasty's Zen "Nan Neng and Bei Xiu" and their influence on Chinese poetics since the Tang and Song dynasties, we will reveal the enrichment and deepening of Chinese aesthetics by Buddhism, especially by Zen aesthetics.It reveals the historical evolution and ideological construction of Buddhism, especially Zen aesthetics, on the enrichment and deepening of Chinese aesthetics.
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