具身的进路：中国当代艺术的视觉认知和观看方式

内容简介

20世纪90年代中后期以来，中国当代艺术受到世界范围内视觉文化“图像转向”的巨大影响，在认知机制、观看方式、媒介技术与艺术观念等各个层面都发生了一系列重要的转型与变化。从“具身认知”理论视野看，中国当代艺术的意义与价值在于对知觉固化与图像专制的反抗以及对视觉想象力的不断开启。本书认为，“具身观看”和“自由知觉”是中国当代艺术从视觉认知与观看方式上回应时代课题最为重要的思想进路。

Since 1990s,Chinese contemporary art has been greatly influenced by the Pictorial Turn of visual culture in the world.A series of important transformations and changes have taken place in cognitive mechanism,viewing mode,media technology and artistic concept.From the perspective of the theory of Embodied Cognition,the significance and value of Chinese contemporary art lies in the resistance to the solidification of perception and the autocracy of images,as well as the constant opening of visual imagination.This book holds that embodied viewing and free perception are the most important approaches for Chinese contemporary art to respond to this era.

作者简介

支宇:（著）

支宇，男，文学博士，现任四川大学艺术学院教授、博士生导师。教育部新世纪优秀人才，英国牛津大学访问学者，主要从事艺术美学、中国现当代艺术思潮与视觉文化研究。出版《术语解码：比较美学与艺术批评》（2009）、《新批评：中国后现代性批评话语》（2008）、《文学批评的批评》（2004）、《高小华》（合著，2012）、《永恒的原乡：中国当代生态美术研究》（合著，2015）、《重构景观：中国当代生态艺术思潮研究》（合著，2018）、《艺术史叙事与艺术经典的重构》（Ⅰ-Ⅵ，2015-2019，合著）等著作。Zhi Yu,Ph.D.professor of Arts College of Sichuan University.NCET Scholar(New Century Excellent Talents in University,China,2012),visiting scholar of Oxford University (2013-2014),mainly engaged in the research of Art History, Aesthetics,Chinese modern art and visual culture.Other publications:Key Terms:Comparative Aesthetics and Art Criticism in China (2009), New Criticism: Chinese Postmodern Discourse (2008),Criticism of Literary Criticism(2004),Gao Xiaohua: A Chinese Realism Artist (coauthor,2012),Eternal Hometown:China's Contemporary Ecological Painting (coauthor,2015),Art History Narrative and Reconstruction of Classics(coauthor,Ⅰ-Ⅵ,2015-2019).