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Since the founding of the People's Republic of China 70 years ago, literary and art theory has played an extremely important role in the social and cultural life of Chinese in different historical periods. From the influence of some literary and artistic controversies on the political trend of the time in the early years of the founding of the People's Republic of China, to the situation in which literature and art entered the core area of the ideological and cultural field during the "Cultural Revolution", to the great significance of literature and art in promoting ideological transformation in the early days of reform and opening up, to the role of literary and artistic studies in the construction of contemporary society and culture in the first decade of the new century, this book has made serious research. The characteristic of this book is that the author does not focus mainly on the description of the historical process of the seventy years, but takes the problem as the outline, selects the central issues of the seventy years of literary and artistic controversy for thematic discussion, and strives to bring history with discussion, see history with discussion, go deep into the interior of these debates to sort out the data and put forward his own opinions. Therefore, this book not only records the history of literary and art theory in the past 70 years, but more importantly, it is necessary to learn the new through warming up the past and put forward constructive opinions and ideas for the construction of a new literary theory in the new era.
莎士比亚戏剧在中国语境中的接受与流变
The Reception and Flux of Shakespeare's Plays in the Chinese Context.关辅世族文化习性与文学观念研究:以3—4世纪百年为中心
Study on the Cultural Habits and Literary Concepts of the Guanshu Clan: Centering on the 3rd-4th Century Centuries白居易資料新編 第九冊
A New Compilation of Materials on Bai Juyi, Volume 9中国现代诗歌内形式研究
Research on the Internal Forms of Modern Chinese Poetry晚清小说的变革:中西互动与传统的内在转化——以梁启超为中心
The Transformation of the Novel in the Late Qing Dynasty: Sino-Western Interaction and the Inner Transformation of Tradition-Centered on Liang Qichao
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