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明代戏曲与文化家族研究

殷亚林[著]

戏曲 文化 家族 研究 中国 明代

2016-06-01

978-7-5161-8485-1

267

8

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  • 内容简介
  • 书籍目录
  • 作者简介
  • 参考文献
内容简介

本书主要探讨明代擅长戏曲文化的家族在该领域的建树和影响。中晚明是继金元之后戏曲文化的又一盛世,其形成原因是多方面的,但历来戏曲史往往忽略了文化家族的重要作用。事实上中晚明有不少著名家族精擅戏曲文化,部分家族甚至从戏曲创作到曲学理论,从家乐表演到剧本刊行,涉足了各个相关领域,对这一传统文艺作出了令人瞩目的贡献。该现象与中晚明的新思潮、文艺领域的革新运动以及纷繁多姿的城市文化之间有着深刻的关联。要之,文化家族是中晚明戏曲盛世不可忽略的环节。故本书对戏曲史研究将是一次有益的补充,对家族史研究也是一次积极的开拓。

This book mainly explores the achievements and influences of families who excelled in opera culture in the Ming Dynasty. The Middle and Late Ming Dynasties are another prosperous era of opera culture after the Jin Yuan, and there are many reasons for its formation, but the history of opera has often ignored the important role of cultural families. In fact, there are many famous families in the middle and late Ming Dynasty who are good at opera culture, and some families have even set foot in various related fields from opera creation to music theory, from home music performance to script publishing, and have made remarkable contributions to this traditional literature and art. This phenomenon is deeply related to the new trends of thought in the middle and late Ming Dynasties, the innovative movement in the field of literature and art, and the diverse urban culture. In other words, the cultural family is a link that cannot be ignored in the prosperous era of the Middle and Late Ming opera. Therefore, this book will be a useful supplement to the study of Chinese opera history, and it will also be a positive development for the study of family history.(AI翻译)

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