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中国美学的历史建构与文化功能

The Historical Construction and Cultural Function of Chinese Aesthetics

刘方

美学史 研究 中国

2016-04-01

978-7-5161-7483-8

316

4

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内容简介

本书以问题意识为导向,沿着三条线索的发展,从长时段深入考察中国美学思想的历史建构与文化功能:一、揭示诗教思想的原初含义、生成语境和社会发生机制,考掘其如何从一种“私人话语”逐步演进到成为国家审美意识形态权利话语中的“宏大叙事”,揭示其潜在的颠覆性。探索庄子美学思想屮自由的审美境界追寻与依据自由原则的隐逸,以及这两个方面在宋代成为士大夫群体的精神依据过程及其功能与意义。三、通过支遁佛玄美学思想对于庄玄思想的吸收与融合,慧远佛教美学思想对于外来思想与本土资源的同化与创新,到唐代禅宗“南能北秀”顿渐的分别及其对于唐宋以来中国诗学的影响,揭示佛教特别是禅宗美学对中国美学的丰富与深化的历史演进与思想建构历程。

This book is oriented by the sense of problem, and follows three clues to examine the historical construction and cultural function of Chinese aesthetic thought from a long period of time: First, it reveals the original meaning, generative context, and social mechanism of poetic thought, and examines how it gradually evolved from a "private discourse" to a "grand narrative" in the discourse of the right of the state's aesthetic ideology, revealing its potential subversiveness.The study explores how it gradually evolved from a "private discourse" to a "grand narrative" in the national aesthetic ideology and rights discourse, revealing its potential subversive nature.It explores Zhuangzi's aesthetic search for the aesthetic realm of freedom and seclusion in accordance with the principle of freedom, and the process by which these two aspects became the spiritual basis of the scholarly community in the Song Dynasty, as well as their functions and significance.Through the absorption and fusion of Zhuang Xuan's ideas into Zhi Tan's Buddhist aesthetics, the assimilation and innovation of Hui-Yuan's Buddhist aesthetics into foreign ideas and local resources, and the difference between the Tang Dynasty's Zen "Nan Neng and Bei Xiu" and their influence on Chinese poetics since the Tang and Song dynasties, we will reveal the enrichment and deepening of Chinese aesthetics by Buddhism, especially by Zen aesthetics.It reveals the historical evolution and ideological construction of Buddhism, especially Zen aesthetics, on the enrichment and deepening of Chinese aesthetics.

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