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This work gives a detailed explanation and systematic sorting out of the connotation, formation process, cultural origin, and spreading ecology of Tagore's Brahmanic Harmony in China's early modern period, focusing on analysing and demonstrating the profound influence of Tagore's Brahmanic Harmony on the ecology of China's early modern poetry in terms of the choice of imagery, the expression of themes, the development of small poems, and the content of ideas, and discussing in depth the acceptance of Tagore's new poetry in China's early modern period.It discusses in depth the path, philosophical basis and cultural-historical context of the acceptance of Tagore's idea of the harmony of Brahma and love in early modern new poetry in China.
Bulletin of the Shanghai Archaeology Forum,Volume III
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