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In the historical depth of modern Chinese literature in the past century, this book places many cultural pictures and various narrative aesthetic symptoms such as "post-enlightenment", "post-revolution", "secularization" and "mediaization" presented by Chinese modernity since the 90s of the 20th century in the historical topic of the linkage and interaction between the paradox of Chinese modernity and the spiritual dilemma of intellectuals, and carries out historical-aesthetic reflective interpretation and critical analysis. With the help of the academic model of history-narrative-subject, the discussion breaks through the internal and external boundaries of narrative, and through the analysis of the current narrative aesthetic forms of novels and their cultural spiritual connotations, it not only pays attention to and responds to the major propositions of Chinese modernity in the 20th century, but also cleans up the historical and cultural texture of narrative aesthetics through the attention to the major propositions of Chinese modernity in the 20th century, and tries to establish the historical and open character of contemporary literary criticism on this basis.（AI翻译）
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