图书
Calligraphy is the art of writing Chinese characters. This book divides the history of Chinese calligraphy into the stage of the pre-calligraphy system, the stage of the calligraphy system, the stage of the variation of the calligraphy system, and the stage of the reform of the calligraphy lineage, among which the stage of the calligraphy system is divided into the early stage represented by Wang Xizhi and the later stage represented by Yan Zhenqing and Liu Gongquan. From the intricate changes between different fonts and their orthographic and cursive fonts, the rich expression forms and speech processes of the image composition factors at the core of calligraphy art, such as brushwork use, pointillism form, single character structure, and overall seal method, are revealed, and the inheritance source, artistic characteristics and historical status of the masterpieces of calligraphy masterpieces of previous generations are systematically investigated. Reflecting on the historical and cultural situation of calligraphy, this paper examines the standardized "book with the same script" in the Qin Dynasty, the influence of cultural nationality on the style of calligraphy during the Southern and Northern Dynasties, and the transformation of academic thought in the Qing Dynasty to give birth to the style of calligraphy. In terms of the relationship between calligraphy and the spiritual life of the literati, the aristocratic temperament of Wang Xizhi "sitting and gaining ease", the spiritual pursuit of "ruling the world for the sake of scholars" embodied in the style of Shangyi calligraphy in the Song Dynasty, and the publicity of cursive writing by the mentality of the scholar during the Ming and Qing dynasties were discussed. A new interpretation of the aesthetic pursuit of calligraphy was made, and calligraphy was identified as an "abstract image". Correct the relationship between meaning and law in the style of Shangyi writing in the Song Dynasty, interpret Zhao Mengfu's "it is not easy to use the pen through the ages", and put forward new thinking on the basis of the views of predecessors.
审美的他者:20世纪中国作家美术思想研究
The Aesthetic Other: A Study on the Artistic Thought of Chinese Writers in the 20th Century中国美术与现代主义:庞德、摩尔、史蒂文斯研究
The Modernist Response to Chinese ArtBulletin of the Shanghai Archaeology Forum,Volume III
Bulletin of the Shanghai Archaeology Forum, Volume III好莱坞电影的中国想象
Chinese Imagination in Hollywood Movies新发展格局:从经济领域到非经济领域:加速启动“五位一体”新发展格局的构建
New Development Paradigm From Economic to Non-Economic Fields——Accelerating the Construction of the Five-sphere Integrated New Development Paradigm
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