图书
Calligraphy is the art of writing Chinese characters. This book divides the history of Chinese calligraphy into the stage of the pre-calligraphy system, the stage of the calligraphy system, the stage of the variation of the calligraphy system, and the stage of the reform of the calligraphy lineage, among which the stage of the calligraphy system is divided into the early stage represented by Wang Xizhi and the later stage represented by Yan Zhenqing and Liu Gongquan. From the intricate changes between different fonts and their orthographic and cursive fonts, the rich expression forms and speech processes of the image composition factors at the core of calligraphy art, such as brushwork use, pointillism form, single character structure, and overall seal method, are revealed, and the inheritance source, artistic characteristics and historical status of the masterpieces of calligraphy masterpieces of previous generations are systematically investigated. Reflecting on the historical and cultural situation of calligraphy, this paper examines the standardized "book with the same script" in the Qin Dynasty, the influence of cultural nationality on the style of calligraphy during the Southern and Northern Dynasties, and the transformation of academic thought in the Qing Dynasty to give birth to the style of calligraphy. In terms of the relationship between calligraphy and the spiritual life of the literati, the aristocratic temperament of Wang Xizhi "sitting and gaining ease", the spiritual pursuit of "ruling the world for the sake of scholars" embodied in the style of Shangyi calligraphy in the Song Dynasty, and the publicity of cursive writing by the mentality of the scholar during the Ming and Qing dynasties were discussed. A new interpretation of the aesthetic pursuit of calligraphy was made, and calligraphy was identified as an "abstract image". Correct the relationship between meaning and law in the style of Shangyi writing in the Song Dynasty, interpret Zhao Mengfu's "it is not easy to use the pen through the ages", and put forward new thinking on the basis of the views of predecessors.
欧洲藏中国明清至民国俗曲唱本研究:以英、德、法为中心
Research on Chinese Popular Songbooks in European Collections from the Ming and Qing Dynasties to the Republic of China: Focusing on England, Germany, and France中国少数民族题材电影叙事研究
Study on the Narrative of Chinese Minority Theme Films金融发展与收入分配差距:基于马克思主义金融资本理论的视角
Financial Development and Income Distribution Gap: Based on the Perspective of Marxism Financial Capital Theory中国歌剧制作与推广概论
Introduction to Chinese Opera Production and Promotion多元视域中的底层影像:20世纪90年代以来中国“底层电影”研究
Underclass Images in Multiple Perspectives: A Study of Underclass Cinema in China since the 1990s
置顶