中国山水画论研究

内容简介

本书作者几十年从事山水画创作，同时在山水画理论研究方面亦颇有心得，于是，从山水画创作实践与理论相结合角度上，分析前人理论思维要点，明确艺术创作规律，再行拓展理论维度，便使“道器合一”具备了某种契机。所幸历代画论具有重大影响者，都是画家心得体会，尤其是山水画家创作实践性言论，更是举足轻重，不同凡响，因此，本书所选画论大多是历代优秀画家创作心得经验总结，对这些理论或阐释，或考异，或存疑，或生发，便形成了本书一系列研究性言论，而专门针对山水画论进行系统研究，即为本书特色。

The author of this book has been engaged in landscape painting creation for decades, and at the same time has a lot of experience in the theoretical research of landscape painting, so from the perspective of combining the practice and theory of landscape painting creation, analyzing the key points of theoretical thinking of predecessors, clarifying the laws of artistic creation, and then expanding the theoretical dimension, the "unity of Taoist instruments" has a certain opportunity. Fortunately, the painting theory of previous generations has a major influence, are the experience of the painter, especially the practical remarks of landscape painters, which are even more important and extraordinary, therefore, most of the selected painting theories in this book are the summary of the creative experience of excellent painters of previous generations, and these theories or interpretations, or different, or doubtful, or germinated, have formed a series of research remarks in this book, and specifically for the systematic study of landscape painting theory, which is the feature of this book.（AI翻译）

作者简介

徐步:（著）

徐步，字悠然，号大壶、步一学人。陕西师范大学美术学院教授，硕士生导师，陕西师范大学书法文化研究院副院长，中国美术家协会会员，陕西省山水画研究会副主席，陕西国画院山水画院特聘画家。主要从事山水画及书法教学、创作与研究，在古典诗文、中国画论及书法篆刻等方面广搜博取，多有涉猎，主张“挖掘传统深度，开拓生活广度，蓄养心源高度”。出版有《二十世纪中国画现象研究》、《徐步画集》、《徐步书画作品》、《徐步山水画集》等专著和画集。