This book is a collection of the author's papers on the study of ancient Chinese stylistics and aesthetics, covering the research fields of stylistic history and stylistics, stylistic theory and cultural implications, aesthetic form and aesthetic theory, etc. The author places the ancient Chinese stylistic forms and stylistic theories in the context of social history and culture, discusses the cultural and aesthetic mechanisms of the generation of stylistic and stylistic concepts, explains the aesthetic and cultural implications contained therein, and deeply explores the national characteristics of ancient Chinese stylistics and stylistics.