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土家族民间艺术的现代传播

Modern Communication of Tujia Folk Art

古春霞

土家族 民间艺术 研究 中国

2017-08-01

978-7-5203-0452-8

353

7

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内容简介

本书主要探讨土家族民间艺术在现代传播视阈下的生境、内涵、表现形态、审美变迁及在现代传播视阈下怎样建构和激活土家族民间艺术,更好地实现传承、发展和超越。无论是“下里巴人”的民间叙事还是“阳春白雪”的经典重述,土家族民间艺术在从“传统”走向“现代”;从“他者”转向“我们”;从“历史”面向“未来”的全球化,这是一种必然的经历。以辩证、运动、整体的思想来审视现代传播视阈下土家族民间艺术的变迁,突出审美文化研究的现实关怀。从历时性的角度去考察土家族民间艺术的变迁,并坚守合规律的、合目的的原则超越狭隘的民族主义,融入多元文化之中。在纵向上既根植于传统又面向现代,在横向上要跨越多民族的阈限和阻隔,创造出符合当代人审美趣味的艺术,提高大众的人文素养和文化自觉。要突破自我的私语与囿限,既要坚守文化根脉又要不断适应新的语境。用一种自为的眼光在历史中去审察发现“存在”的维度,存在并不是人独有的特质而是自然万物的本质。要超越自我,学会共情,激活民间艺术的灵韵并使之永匡,引向“他者”的存在,让人文精神和科学技术并驾齐驱,在这个不断更迭的历史进程中,传统美学,文化观念要不断思索,扬弃,建构一种能体现时代辩证精神的审美追求和文化宗旨。

This book mainly discusses the habitat, connotation, expression and aesthetic changes of Tujia folk art under the threshold of modern communication, and how to construct and activate Tujia folk art under the threshold of modern communication, so as to better realise inheritance, development and transcendence.Whether it is the folk narrative of "the lower class" or the classic retelling of "the white snow in the spring", Tujia folk art is moving from "tradition" to "modernity"; from "tradition" to "modernity"; and from "modernity" to "modernity".from "other" to "us"; from "history" to "future"."It is an inevitable experience of globalisation.We examine the changes of Tujia folk art under the threshold of modern communication with the ideas of dialectics, movement and wholeness, highlighting the realistic concern of aesthetic and cultural research.It examines the changes of Tujia folk art from the perspective of ephemerality, and adheres to the principle of conformity and purpose to transcend narrow nationalism and integrate into multiculturalism.Vertically, it should be rooted in tradition and oriented to modernity, and horizontally, it should cross the threshold of multi-ethnicity, create art that meets the aesthetic interests of contemporary people, and improve the public's humanistic literacy and cultural consciousness.We must break through our own whispers and limitations, and not only adhere to our cultural roots, but also adapt to new contexts.To examine and discover the dimension of "existence" in history with a self-oriented vision, where existence is not a unique characteristic of human beings, but the essence of all things in nature.To transcend oneself, to learn empathy, to activate the spirit of folk art and make it permanent, to lead to the existence of the "other", to let humanism and science and technology go hand in hand, in this ever-changing historical process, the traditional aesthetics, cultural concepts should be constantly pondered over and discarded, and to construct a kind of aesthetic pursuits and cultural purposes that can reflect the dialectical spirit of the times.The traditional aesthetics and cultural concepts should be constantly considered and discarded in order to construct an aesthetic pursuit and cultural purpose that reflects the dialectical spirit of the times.

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