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《艺术学界》以一级学科艺术学理论为主要特色，适量兼及艺术学其他一级学科，力求站在学术前沿，集中反映观点新颖、资料性强、较为深入的艺术理论研究成果。
《艺术学界》将团结海内外学人，努力塑造富有原创性、前沿性、深入性的学术性格。
本辑为《艺术学界（第24辑）》，包含艺术理论研究、艺术史研究、民间艺术研究、艺术设计研究、影视研究、书与人六个栏目。
With the primary discipline of art theory as its main feature, and a moderate amount of other primary disciplines of art, the Journal strives to stand at the forefront of academics and focuses on reflecting the research results of art theory that are novel in viewpoint, informative, and relatively in-depth.
It will unite scholars at home and abroad, and endeavour to shape an academic character rich in originality, frontiers and depth.
This series is Art Academia (24th Series), which contains six columns: Art Theory Research, Art History Research, Folk Art Research, Art Design Research, Film and Television Research, and Books and People.
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中国美术与现代主义：庞德、摩尔、史蒂文斯研究
The Modernist Response to Chinese Art -
中国审美形态的识别性问题研究
Study on the Recognizability of Chinese Aesthetic Forms -
天造地设：乡土景观村落模型
Made in Heaven: A Model of Vernacular Landscape Villages -
谢灵运诗歌在英语世界的译介及研究
Translation and Study of Xie Ling Yun's Poetry in the English-speaking World -
从外来杂耍到本土影业：中国电影发生史研究：1897—1921
From Foreign Vaudeville to Native Industry：A Study on the Happening of Chinese Cinema（1897-1921）
