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《艺术学界》以一级学科艺术学理论为主要特色，适量兼及艺术学其他一级学科，力求站在学术前沿，集中反映观点新颖、资料性强、较为深入的艺术理论研究成果。
《艺术学界》将团结海内外学人，努力塑造富有原创性、前沿性、深入性的学术性格。
本辑为《艺术学界（第24辑）》，包含艺术理论研究、艺术史研究、民间艺术研究、艺术设计研究、影视研究、书与人六个栏目。
With the primary discipline of art theory as its main feature, and a moderate amount of other primary disciplines of art, the Journal strives to stand at the forefront of academics and focuses on reflecting the research results of art theory that are novel in viewpoint, informative, and relatively in-depth.
It will unite scholars at home and abroad, and endeavour to shape an academic character rich in originality, frontiers and depth.
This series is Art Academia (24th Series), which contains six columns: Art Theory Research, Art History Research, Folk Art Research, Art Design Research, Film and Television Research, and Books and People.
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目光的政治：中国当代艺术批评文集
Paetics of Vision：Essays on Contemparary Chinese Art -
审美的他者：20世纪中国作家美术思想研究
The Aesthetic Other: A Study on the Artistic Thought of Chinese Writers in the 20th Century -
澜湄沿线六国经济发展与纺织服装业价值链：英文
The Economic Development of Six Lancang-Mekong Countries and the Textile and Clothing Value Chains -
20世纪西方之中国书法收藏和展览
Chinese Calligraphy Collections and Exhibitions in the West in the 20th Century -
中国电影产业转型研究
Study on the Transformation of China's Movie Industry
