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《艺术学界》以一级学科艺术学理论为主要特色，适量兼及艺术学其他一级学科，力求站在学术前沿，集中反映观点新颖、资料性强、较为深入的艺术理论研究成果。
《艺术学界》将团结海内外学人，努力塑造富有原创性、前沿性、深入性的学术性格。
本辑为《艺术学界（第24辑）》，包含艺术理论研究、艺术史研究、民间艺术研究、艺术设计研究、影视研究、书与人六个栏目。
With the primary discipline of art theory as its main feature, and a moderate amount of other primary disciplines of art, the Journal strives to stand at the forefront of academics and focuses on reflecting the research results of art theory that are novel in viewpoint, informative, and relatively in-depth.
It will unite scholars at home and abroad, and endeavour to shape an academic character rich in originality, frontiers and depth.
This series is Art Academia (24th Series), which contains six columns: Art Theory Research, Art History Research, Folk Art Research, Art Design Research, Film and Television Research, and Books and People.
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高友工与中国抒情传统
Gao Yougong and Chinese Lyric Tradition -
价值论观照下的文学翻译批评研究：英文
Axiological Approach to Criticism of Literary Translation -
史诗音乐范式研究：以格萨尔史诗族际传播为中心
Research on Epic Music Pattern：Centering on Intercultural Communication of Gesar -
环太平洋视域下的中国北方人面岩画
Human Face Petroglyphs in Northern China in the Perspective of the Pacific Rim -
中国山水画论研究
Research on Chinese Landscape Painting Theory
