中国现代诗歌内形式研究

内容简介

本书以诗歌形式中的内形式为主要研究对象。全书共四篇。第一篇介绍诗耿内形式的基本概念及内形式研究的历史与现状。第二篇介绍诗耿内形式中的大内形式，为其后小内形式的探时先期铺垫。第三、四篇深人现代诗歌的文本内部，观察其内在构造的特点和规律。本书首提“小内形式”的诗学概念（与“大内形式”相对），并首提诗歌的“意节”概念（与传统诗学的“音节”及山分节形成的“形式节”相对）。本书认为：诗歌的小内形式主要由诗歌言说的三个基本义项（书中代号为A、B、C）构成其常型与变体；一个独立的“ABC组合”就是诗歌言说一个诗思涌动、三级递进而“推陈出新”的过程，这一过程形成一个诗歌的“意节”（即超越了目视所见之“形式节”以及耳听所获之“音节”而必须心想方能感知的意义节）；诗歌的意节像诗歌“DNA”一样决定着诗歌文本“诗意”的存在。进人现代，诗体大解放等大潮涌动，诗歌的外形式以及音韵、格律甚至“新格律”等，均不再具有诗歌言说的规约力。诗歌艺术经诸多锻打之后仅存的普遍遵守，只剩下诗歌的小内形式。中国诗歌的形式建设，须告别外形式建设而步入内形式建设。

This book focuses on the inner form of poetic form. There are four articles in the book. The first part introduces the basic concept of poetic inner form and the history and current situation of the study of internal form. The second part introduces the large inner form in the poetic gennei form, and paves the way for the exploration of its later small inner form. The third and fourth texts are deeply rooted in the text of modern poetry, observing the characteristics and laws of its internal structure. The book begins with the poetic concept of "small inner form" (as opposed to "large inner form") and the concept of "yijie" in poetry (as opposed to the "syllable" of traditional poetics and the "formal section" formed by the mountain segment). This book argues that the small inner form of poetry is mainly composed of the three basic meanings of poetry (code A, B, and C in the book) to form its normal form and variation; An independent "ABC combination" is the process of poetry saying a surge of poetic thoughts, three levels of progression, and then "innovating", which forms a poetic "knot" (that is, a meaning section that goes beyond the "formal section" seen by sight and the "syllable" obtained by hearing and heard, and must be thought of to perceive); The meaning of poetry, like the "DNA" of poetry, determines the existence of the "poetic" text of poetry. In modern times, the great emancipation of poetry and other great tides are surging, and the external form of poetry, as well as the phonology, grammar and even the "new grammar", no longer have the normative power of poetic speech. The only remaining universal observance of the art of poetry after many forges remains, leaving only the small inner form of poetry. The formal construction of Chinese poetry must bid farewell to the construction of external forms and enter the construction of internal forms.（AI翻译）

作者简介

薛世昌:（著）

薛世昌，文学创作笔名雪潇。1965年生于甘肃秦安。1986年毕业于西北师范大学中文系。曾任教于天水市第二师范学校，现为甘肃省天水师范学院文传学院教授。主要研究方向为中同现当代诗歌及写作学。出版有学术专著《文学创作论》。（2002）、《现代诗歌创作论》（2008）、《论文学语言的来历及其使命》（2008）、《百年新诗百篇导读》（2011）、《秦州上空的凤凰——杜甫陇右诗叙论》。（2013）、《话语·语境·文本——国现代诗学探微》（2015）。教学与研究之余，从事文学创作，出版有现代诗集《带肩的头像》。（2003）、《大地之湾》（2015）和随笔集《怅辽阔》（2004）及小品文集《大地上的小意思》（2016）。