中国现代诗歌内形式研究

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中国现代诗歌内形式研究

Research on the Internal Forms of Modern Chinese Poetry

作者：

薛世昌

分类：

文学中国现代文学史中国各体文学中国诗歌文学

关键词：

诗歌研究中国现代

出版日期：2018-08-01

ISBN：978-7-5203-3087-9

页数：369

点击量：25

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内容简介
书籍目录

内容简介

本书以诗歌形式中的内形式为主要研究对象。全书共四篇。第一篇介绍诗耿内形式的基本概念及内形式研究的历史与现状。第二篇介绍诗耿内形式中的大内形式，为其后小内形式的探时先期铺垫。第三、四篇深人现代诗歌的文本内部，观察其内在构造的特点和规律。本书首提“小内形式”的诗学概念（与“大内形式”相对），并首提诗歌的“意节”概念（与传统诗学的“音节”及山分节形成的“形式节”相对）。本书认为：诗歌的小内形式主要由诗歌言说的三个基本义项（书中代号为A、B、C）构成其常型与变体；一个独立的“ABC组合”就是诗歌言说一个诗思涌动、三级递进而“推陈出新”的过程，这一过程形成一个诗歌的“意节”（即超越了目视所见之“形式节”以及耳听所获之“音节”而必须心想方能感知的意义节）；诗歌的意节像诗歌“DNA”一样决定着诗歌文本“诗意”的存在。进人现代，诗体大解放等大潮涌动，诗歌的外形式以及音韵、格律甚至“新格律”等，均不再具有诗歌言说的规约力。诗歌艺术经诸多锻打之后仅存的普遍遵守，只剩下诗歌的小内形式。中国诗歌的形式建设，须告别外形式建设而步入内形式建设。

This book focuses on the inner form of poetic form. There are four articles in the book. The first part introduces the basic concept of poetic inner form and the history and current situation of the study of internal form. The second part introduces the large inner form in the poetic gennei form, and paves the way for the exploration of its later small inner form. The third and fourth texts are deeply rooted in the text of modern poetry, observing the characteristics and laws of its internal structure. The book begins with the poetic concept of "small inner form" (as opposed to "large inner form") and the concept of "yijie" in poetry (as opposed to the "syllable" of traditional poetics and the "formal section" formed by the mountain segment). This book argues that the small inner form of poetry is mainly composed of the three basic meanings of poetry (code A, B, and C in the book) to form its normal form and variation; An independent "ABC combination" is the process of poetry saying a surge of poetic thoughts, three levels of progression, and then "innovating", which forms a poetic "knot" (that is, a meaning section that goes beyond the "formal section" seen by sight and the "syllable" obtained by hearing and heard, and must be thought of to perceive); The meaning of poetry, like the "DNA" of poetry, determines the existence of the "poetic" text of poetry. In modern times, the great emancipation of poetry and other great tides are surging, and the external form of poetry, as well as the phonology, grammar and even the "new grammar", no longer have the normative power of poetic speech. The only remaining universal observance of the art of poetry after many forges remains, leaving only the small inner form of poetry. The formal construction of Chinese poetry must bid farewell to the construction of external forms and enter the construction of internal forms.