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- 参考文献
Since the Republic of China, many historical works of calligraphy have been published, and there are even large works. However, this book has its own characteristics: First, the author of this book is a scholar-type calligrapher who has been engaged in calligraphy research for a long time and has attained considerable achievements in the art of calligraphy, so this book combines theory and practice, knowledge and art, which is very different from pure scholars who are not engaged in calligraphy practice to talk about the history of calligraphy. Second, the author of this book has been taught by Mr. Qi Gong for a long time, so this book also runs through Mr. Qi Gong's true insights into the art of calligraphy. Third, the author has the unique advantage of engaging in calligraphy literature research in the Palace Museum, this book not only collects a large number of literature materials, but also collects a large number of picture materials, rich pictures, so that readers can intuitively understand the development of calligraphy art. Fourth, the history of calligraphy in the past has many deficiencies in the narrative of "history", compared with the introduction of calligraphy in the Sixteen Kingdoms period of the Eastern Jin Dynasty, the Liao Dynasty and the Jin Dynasty, the author of this book has deeply excavated this and tried to make the narrative as complete as possible. V. Most of the previous history of calligraphy only gave an introduction to "history", but this book devotes a special chapter to the theory of calligraphy in various historical periods after the Han Dynasty, so that readers can easily understand the relationship between the concept of calligraphy, the customs of the times and the creation of calligraphy. 6. This book pays equal attention to scholarship and knowledge, strives to help calligraphy lovers learn and understand the art of calligraphy, and provides new content and new perspectives for researchers of the history of calligraphy, and is an important reference book for teachers and students of calligraphy teaching in colleges and universities and related majors.
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审美的他者：20世纪中国作家美术思想研究
The Aesthetic Other: A Study on the Artistic Thought of Chinese Writers in the 20th Century -
中国美术与现代主义：庞德、摩尔、史蒂文斯研究
The Modernist Response to Chinese Art -
20世纪30年代中国左翼影评的文化解读
Cultural Interpretation of Chinese Left-Wing Film Criticism in the 1930s -
新时代生态文明思想的深圳实践
Shenzhen Practice of Ecological Civilization Thought in the New Era -
新时代数字经济高质量发展与深圳经验
High Quality Development of Digital Economy in the New Era and Shenzhen Experience
