This book is a companion to The Road to Change: China's Film Industry in the New Century (China Social Sciences Press, 2019), and together with the author's Chinese Film and Television Culture at the Turn of the Century (published by Beijing Publishing House in 1998 and reprinted in 2015) and Across a Century: Chinese Cinema in the Context of Globalization (Tsinghua University Press, 2007), they constitute an interrelated "trilogy", which together become a complete memorandum on the 30-year development process of Chinese cinema from the 1990s to the 2020s. Evaluate, interpret and think. Taking China's political, economic and social changes as the background, this book systematically sorts out the evolution of Chinese film creation since the new century through the annual analysis of representative works, creators and theme types. This book attempts to present the ever-changing relationship between Chinese films and world cinema, the relationship between Chinese films and the society of the times, the relationship between Chinese films and the audience, the aesthetic system of Chinese films, the collective composition of Chinese films, the dissemination and influence of Chinese films, and the cultural orientation and genre characteristics of Chinese films, and deeply explores the dynamics, process, logic and effects of these changes.(AI翻译)
尹鸿:(著)
尹鸿,清华大学教授。主要从事影视传播、影视艺术和文化产业研究。现为中国电影家协会副主席,中国文艺评论家协会副主席;兼任澳门科技大学特聘教授、电影学院院长。多次担任中央宣传部“五个一工程”奖、中国电影金鸡奖、中国电影华表奖、中国电视剧飞天奖和中国电视星光奖评委。曾担任数百部集影视剧、影视节目的策划、艺术指导和顾问。著有《通变之途:新世纪以来的中国电影产业》《百年中国电影艺术史》等二十多部专著,发表影视理论评论文章600多篇。
梁君健:(著)
梁君健,清华大学副教授。主要从事影视传播、影视艺术、影视人类学等方向的研究。现为中国人类学民族学研究会民族影视与影视人类学专业委员会副主任,国家民委民族研究优秀中青年专家,北京市广播电视和网络视听行业青年创新人才。出版专著《现代中国与革命中国:〈人民画报〉的图像建构研究》和《表意实践与文化认同:当代影像人类学研究》;发表研究论文50余篇;在权威媒体发表影视与文化评论20余篇。主持国家社科基金艺术学一般项目、国家广电总局部级社科研究项目、北京市哲学社会科学青年项目等课题。担任数部纪录片的导演及摄影。
置顶
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