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The "artistic outlet" of Chinese literature in the 20th century is a huge academic proposition, and this treatise attempts to grasp several knots of the huge web of literary "artistic outlets", and through the holographic outline of typical literary cases, sort out an exploratory answer that is not exhaustive. The treatise is divided into four chapters, which deeply interpret the four pairs of literary propositional elements in the form of rich literary individual anatomy, namely "mystery" and "sacred", "tragedy" and "tragedy", "life" and "life", and "misreading" and "correct solution" in the direction of criticism. As a guiding way out of "art", the author believes that in order to achieve a connotative continuous development of Chinese literature in the 20th century, only by moving from "mysterious" to "sacred", from "tragedy" to "tragedy", from "life" to "life", from "misreading" to "correct understanding", can it be possible to renew the glory of Qinzao and promote the nobility of literature.
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唐诗镜像中的丝绸之路
The Silk Road in the mirror image of Tang Poetry -
20世纪30年代中国文人论美国文学
Chinese Literati on American Literature in the 1930s -
艺术特质视域下的中国抒情传统研究：以两汉诗学接受为中心
Research on Chinese Lyric Tradition in the Perspective of Artistic Qualities: Centering on the Reception of Poetics in the Two Han Periods -
王嘉与《拾遗记》研究
Study on Wang Jia and Gleanings -
20世纪前期中国文学人类学实践研究
Research on the Practice of Chinese Literary Anthropology in the Early 20th Century
