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口头传统文类的界定:以云南元江哈尼族“哈巴”为个案

Defining Oral Traditional Genre:Xapa among the Hani People in Yuanjiang as A Case

刘镜净[著]

哈尼族 民歌 文学研究 中国

2018-04-01

978-7-5203-2264-5

226

5

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内容简介

本书从语义学、语用学、民族志诗学等视角对哈尼族口头传统文类“哈巴”进行了考察,通过规范而深入的田野研宄和多次定点跟踪回访,从演述情境、文学形式、传统曲调和地方性知识等各个方面对“哈巴”的文类特征进行了界定和分析,比较真实和全面地呈现出“哈巴”在民间传统生活中的存在形态。作者将“哈巴”定位为“跨文类”的综合范畴,纠正了以往将其仅仅视为民间音乐形式或曲艺的偏颇,颇具新意;而关于“哈巴”文类归属的“不确定性”问题的系统分析,则触及了口头文类研究的一个重要学理问题。本书借鉴“海姆斯言说模型”和国际音标转写方式,将各种鲜活的演述语境要素最大可能地呈现在民族志的叙事阐释之中,对当前的民间口承叙事文类分析模型的形成具有一定的推动作用,在少数民族口头文类研究中尝试了一种值得提倡的写作规范。

This book examines the oral traditional Hani literary "Haba" from the perspectives of semantics, pragmatics, ethnographic poetics, etc., and defines and analyzes the literary characteristics of "Haba" from various aspects such as speech situation, literary form, traditional tunes and local knowledge through standardized and in-depth field research and multiple fixed-point follow-up visits, so as to present the existence of "Haba" in folk traditional life in a more real and comprehensive way. The author positions "haba" as a comprehensive category of "cross-literary", correcting the bias of treating it as a form of folk music or a musical art, which is quite innovative; The systematic analysis of the "uncertainty" problem of the attribution of "haba" literature touches on an important academic issue in oral literature research. This book draws on the "Hyams dialect model" and the IPA transcription method, and presents various vivid speech context elements in the ethnographic narrative interpretation to the greatest extent possible, which has a certain role in promoting the formation of the current folk oral narrative analysis model, and tries a writing norm worthy of advocacy in the study of ethnic minority oral literature.(AI翻译)

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