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"A Study on the Historical Compilation of Modern Chinese Literature as a Whole" aims to break the artificial division between modern Chinese literature, modern literature and contemporary literature, study it as an organic whole, and compile it into a literary history. The book is divided into five parts. The first is the preface, which briefly describes the concepts of literary history, literary history and literary history, describes the origin and basis of the research of this book, and summarizes the narrative clues and chapter layout of the book. Chapter 1 The late 80s of the 20th century and the early 90s of the 20th century were the experimental periods of historical compilation of modern Chinese literature as a whole. At this time, the main body of literary history is basically to integrate modern literature and contemporary literature, and many literary history periodizations are still carried out according to modern literature + contemporary literature. This chapter will provide an intellectual examination of the origin of several time boundary monuments in China in the recent, modern, contemporary and new periods. Chapter 2 Around 2000 was a harvest period for the overall historical compilation of modern Chinese literature. During this period, the teachers who advocated "rewriting literary history" compiled the "history of Chinese literature in the twentieth century", and the main body of their literary history was mainly composed of modern literature, modern literature and contemporary literature. In this period, scholars of the same generation as the advocates of "rewriting literary history" compiled more "modern and contemporary Chinese literary history", and they took the aesthetic view of literary history as their own literary historical pursuit, worked literary historical classics and interpretations, and shook the ranking and list of literary classics under the guidance of the original revolutionary view of literary history. In this period, some scholars put forward the concept of "new literary history of Chinese", but the advantages of this concept of literary history were not reflected in the compilation of specific literary history, which is a task left to the writers of literary history in the next period. Chapter Three: The past decade has been a period of turbulence in the compilation of the history of modern Chinese literature as a whole. In this period, the overall historical compilation of modern Chinese literature reflected on the previous concept and practice of "rewriting literary history", and then put forward a variety of literary historical concepts and put them into practice. It roughly includes several categories: the first is that some scholars put forward the concept of "modern Chinese literary history" and carried out corresponding literary history compilation; The second category is that some scholars have begun to focus on opening up the internal connection of "Chinese literary history in the 20th century", trying to reforge the original broken chain of literary history and make it a "general history"; The third category is the innovative writing of personal literary history by some literary historians; The fourth category is that some writers of literary history have begun to compile literary history according to the concept of "new Chinese literary history", some scholars have made great achievements in the history of overseas Chinese literature, and some scholars have compiled "new Chinese literary history" with the theme of "the literary history of the Republic of China"; The fifth category is the writing of literary history by some literary history writers in order to adapt to different student categories or to implement educational and teaching reforms, which can be described as "teaching reform" literary history. Chapter 4 reflects on the overall historical compilation of modern Chinese literature, and puts forward its own ideas for constructing the overall historical compilation of modern Chinese literature.（AI翻译）
