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中国文人画与禅宗思想关系性研究

Study on the Relationship between Chinese Literati Painting and Zen Ideology--From the Late Ming and Early Qing Dynasties to the Republic of China

杨江波

文人画 绘画研究 中国 明清时代 禅宗 研究

2020-07-01

978-7-5203-6733-2

274

34

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内容简介

《中国文人画与禅宗思想关系性研究》深入探讨了中国文人画与禅宗思想之间的深厚联系及其在不同历史时期的演变。书中从引言部分的问题缘起和研究思路入手,详细梳理了文人画与禅宗的相关概念,并分析了禅宗对文人画审美的深远影响。通过对明末清初到民国时期文人画三次高峰的分析,探讨了禅宗思想在文人画创作中的体现及其存续途径。书中还研究了阳明禅、潘徐教育体系以及日本禅宗审美的存续对近代留学生的影响。此外,书中对中国文人画的当代价值进行了探讨,分析了禅学对西方后现代主义的影响以及文人画禅意审美的复兴趋向。本书为理解中国文人画与禅宗思想的关系提供了全面而深刻的视角。

A Study of the Relationship between Chinese Literati Painting and Zen Ideology is an in-depth exploration of the deep connection between Chinese literati painting and Zen ideology and its evolution in different historical periods. Starting from the origin of the problem and the research idea in the introduction section, the book comprehends in detail the concepts related to literati painting and Zen Buddhism, and analyzes the far-reaching influence of Zen Buddhism on the aesthetics of literati painting. By analyzing the three peaks of literati painting from the late Ming and early Qing dynasties to the Republic of China, the book explores the embodiment of Zen thought in the creation of literati paintings and the ways of its survival. The book also examines the influence of Yangming Zen, the Pan Xu educational system, and the survival of Japanese Zen aesthetics on modern international students. In addition, the book explores the contemporary value of Chinese literati painting, analyzing the influence of Zen on Western postmodernism and the revival of Zen aesthetics in literati painting. The book provides a comprehensive and profound perspective for understanding the relationship between Chinese literati painting and Zen thought.

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