宋代诗歌论集

内容简介

选集1992年进入宋代文学研究领域以来在各种学术刊物发表的论文三十篇，划分为九个单元。

“诗词关系”关注两种文体在异同之间的并行及交叉互动；“诗歌与古琴”探讨诗人对器乐理解掌握的程度以及诗歌与音乐关系；“诗歌与海外”探索宋代诗人的眼界以及异域意识；“唱和诗歌”重心在诗人之间的对话沟通以及唱和诗歌如何多层次展现多面而深层的文化意蕴；“欧阳修研究”与“陆游研究”，试图在欧、陆诗歌里不断阅读出两位诗人的生活态度与精神气质，并藉此了解北宋与南宋诗人的异同；“诗歌理论”则是想考察宋人自己如何自觉建构宋调以及他者如清人怎样看待宋调。“邵雍、范成大研究”以及“外两篇”均是一时兴之所至，偶有感悟：其中有对邵雍快活吟咏、范成大悲悯情怀真切感受，有对内外制礼仪功能审美价值的细读体会，有对西南地区民间信仰的实地查验。

由宋诗而浸淫宋代文化，再从文化视域反观宋诗宋人，在对宋代诗歌文本解读与阐释过程中，领略宋调真谛，并认识造极文化真面目。

Since entering the field of Song Dynasty literature research in 1992, the anthology has published thirty papers in various academic journals, divided into nine units. "Poetic Relationship" focuses on the parallelism and cross-interaction between the similarities and differences between the two genres. "Poetry and Guqin" explores the extent to which poets have mastered instrumental music and the relationship between poetry and music; "Poetry and Overseas" explores the horizons and exotic consciousness of Song dynasty poets; "Singing and Poetry" focuses on the dialogue and communication between poets and how singing and poetry can express multi-faceted and deep cultural meanings at multiple levels; "Ouyang Xiu Studies" and "Lu You Studies" try to continuously read the life attitudes and spiritual temperaments of the two poets in European and Lu poetry, and use this to understand the similarities and differences between the poets of the Northern Song Dynasty and the Southern Song Dynasty; "Poetry theory" is to examine how the Song people themselves consciously constructed the Song tune, and how others such as the Qing people viewed the Song tune. "Shao Yong and Fan Chengda's research" and "two outer articles" are all whim, and occasionally have realizations: among them, there are real feelings of Shao Yong's happy chanting, Fan Chengda's compassion, a close reading and experience of the aesthetic value of internal and external etiquette functions, and a field inspection of folk beliefs in southwest China. Immersed in Song Dynasty culture from Song poetry, and then looking back at Song poetry and Song people from a cultural perspective, in the process of interpreting and interpreting Song Dynasty poetry texts, they appreciate the true meaning of Song tunes and understand the true face of Song Dynasty culture.（AI翻译）

作者简介

吕肖奂:（著）

吕肖奂，女，1965年生于河南灵宝，1985年毕业于郑州大学中文系，1988年于西北师大获得硕士学位并留校任教，1995年于复旦大学获得博士学位，1998年初到四川大学任教至今。主要从事宋代文学与俗文学方面的研究。出版专著《宋诗体派论》（2002）、《中国古代民谣研究》（2006）。与张剑、周扬波合著《宋代家族与文学研究》（2009）。发表论文七十余篇。主持教育部人文社会科学重点研究基地重大项目“历代民俗诗歌与民俗文化研究（08JJD840193）以及国家社科基金项目“宋代唱和诗歌文化研究”（IIBZW048）。