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中国美学的历史建构与文化功能

刘方[著]

美学史 研究 中国

2016-04-01

978-7-5161-7483-8

316

43

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内容简介

本书以问题意识为导向,沿着三条线索的发展,从长时段深入考察中国美学思想的历史建构与文化功能:一、揭示诗教思想的原初含义、生成语境和社会发生机制,考掘其如何从一种“私人话语”逐步演进到成为国家审美意识形态权利话语中的“宏大叙事”,揭示其潜在的颠覆性。探索庄子美学思想屮自由的审美境界追寻与依据自由原则的隐逸,以及这两个方面在宋代成为士大夫群体的精神依据过程及其功能与意义。三、通过支遁佛玄美学思想对于庄玄思想的吸收与融合,慧远佛教美学思想对于外来思想与本土资源的同化与创新,到唐代禅宗“南能北秀”顿渐的分别及其对于唐宋以来中国诗学的影响,揭示佛教特别是禅宗美学对中国美学的丰富与深化的历史演进与思想建构历程。

Guided by problem consciousness, this book examines the historical construction and cultural function of Chinese aesthetic thought in depth from a long period of time along the development of three threads: First, it reveals the original meaning, generative context and social generation mechanism of poetic thought, and examines how it gradually evolves from a "private discourse" to a "grand narrative" in the national aesthetic ideological power discourse, revealing its potential subversiveness. Explore the pursuit of the aesthetic realm of Zhuangzi's aesthetic thought and the concealment of the principle of freedom, as well as the spiritual basis process and their functions and significance of these two aspects becoming a group of scholars. Third, through the absorption and integration of Zhuang Xuan's thought by supporting Buddha Xuan's aesthetic thought, the assimilation and innovation of Huiyuan Buddhist aesthetic thought on foreign ideas and local resources, and the gradual difference between Tang Dynasty Zen Buddhism and its influence on Chinese poetics since the Tang and Song Dynasties, it reveals the historical evolution and ideological construction process of the enrichment and deepening of Buddhism, especially Zen aesthetics.(AI翻译)

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